Recently, mid–twentieth century Black burlesque has piqued my interest. I am fascinated with the night life of the time period, particularly — the rich cultural demographic of Harlem, Manhattan, New York. I view the women of the burlesque art form as pioneers of fearless feminine sexual expression; Black women, in particular, because of the overt racial discrimination and stereotypes of the era. In my brief viewing of films of the era, I have taken notice of the intricacies in the performances, and the layers of skill intertwined throughout the dances are quite captivating. If I may say, I have had a few interesting conversations about the comparability of burlesque performers and so called “strippers” of the modern day era; I think the most highlighted point referenced in all three dialogues, is that stripping is an evolution of burlesque, (a theory which I reject) which in turn caters to a modern audience who would be dismayed and dissatisfied at the prospect of women dancing in only partial nudity. In my opinion, burlesque and stripping have certain similarities, but they are largely incomparable and should be seen as two completely separate entities. I consider burlesque, circa 1950’s an art form in a theatrical setting, and I consider stripping, pornographic adult entertainment in a setting of monetary exchange for services rendered. There are indeed many skilled strippers who perform wonderfully and have mastered incredible dance routines, though I know patrons of strip clubs might not particularly care about the skill involved as much as the removal of clothes in those specific settings. I have not yet extensively researched burlesque, but I have found that its origin was in England, circa late 1830’s in the Victorian era.